With 13 LPs under his belt, plus over three hundred EPs, with singles on such
legendary labels as Harthouse, Superstition, Data Rec, Hooj Choons, Yoshitoshi etc.
he has been at the forefront of electronic music for 30 years and remixed
everyone from stadium-filling acts like Faithless, The Human League, Moby,
and Yello to the best up and coming producers in the scene.

Releasing genre defining music under aliases as L.S.G., Paragliders, S.O.L.,
The Ambush (to name just a few) and his real name, Oliver has covered the full spectrum
of underground techno, house, trance, and ambient sounds, and evolved his own
distinctive style and presence that is immediately felt with his productions.

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2020 Oliver starts early February with a remake of his 1995 track OASIS by his Paragliders project.
It comes together with another mix by Frankyeffe on his label Riot Recordings.

In March he will release his Atomo / Shinkansen EP on Spektre’s label Respekt Rec.

With his releases, DJ sets and guest mixes on shows like Transitions, Tronic Radio and GEM FM
he continues to cement his position at the cutting edge of contemporary music remaining a true original,
a creative force and an inspiration to many.

In 1999 Oliver released the Lithium EP by Paragliders on his first own label platform and released
constantly under his real name starting on Ministry of Sound’s in-house label Data Rec.
with his release Subraumstimulation.

After the label Superstition stopped he re-invented himself in 2005 starting his Techno label
Maschine and in 2013 his label Solieb Digital for re-releasing his remastered classics.

In late 2017 he re-activated his project L.S.G. with his remix of the 1994 classic Netherworld
followed by the double album DOUBLE VISION. Both on Bonzai Rec.

In 2018 Oliver released three more Remix EPs from his new L.S.G. album and returned to
John Digweed’s Bedrock label with his EPOXI EP, appearances on Bedrock’s XX compilation and
John Digweed‘s LIVE IN TOKYO mix CD

He also had his first release on Christian Smith’s label Tronic Music where he released the
in summer 2018.

2019 has seen Oliver returning to Tronic Music with an exclusive mix of  his track Tesla on the
Rockets -VA Compilation in January followed by his Violet Sky EP that came out late February.

In late March Oliver returned to Bedrock Records with his brand new Phosphorus EP

After a short break to finish his new website and re-releasing his last ambient album
Inside Voices on his label Solieb Digital in June, Oliver released a remix of Open Your Mind by
Melody’s Enemy in July and his Hiwave EP early September. Both on Sasha Carassi’s Phobiq label

In November he made his debut on Secret Cinema’s Gem Records label with his Artemis EP.

In December Oliver’s remix of Detection by Frank Biazzi was released on Tronic  Music.

Oliver started touring all over the world as a live-act in 1992. He switched to DJ’ing in 1997 as he
enjoyed the more direct contact to the audience and rocked some of the biggest clubs and festivals
around the world like Australia, Mexico, Argentina, Japan, USA and Canada and all over Europe.

2018 he played at Luminosity Beach Festival  (NL),  both weekends at Tomorrowland  (BE),
Ozora Festival (HU) and at legendary FUSE club (BE) to name a few.

  • was born and still lives in Frankfurt am Main/Germany
  • started to play E-Bass at the age of 14
  • played in several bands and styles
  • sold his equipment and got his first sampler and sequencer in late 1988
  • had out his first ever record Force Legato “System” on Torsten Fenslau’s label Abfahrt in October 1989
  • loves to play video games since the early console and C-64 days. Doom, Quake and Half-Life, GTA II and their sequels among others. Atm Escape from Tarkov, DayZ and Miscreated mainly
  • had his first gig as a live-act in 1992 at Sven Väth’s birthday party at legendary Omen club Frankfurt
  • In 2007 he started his mastering and vinyl-cutting company lhaudio
  • In 2013 Oliver started his label Solieb Digital as a plaftorm for re-releasing re-mastered versions of his classic tracks digitally – some also along with previously unreleased material.